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Plus, more Netflix movies to stream: Uncut Gems, The Irishman, Train to Busan, and Marriage Story. Madness has arrived in infinite-hued form, as Stanley evokes a sense of rifts opening between our world and the great abyss beyond, and delivers fantastical sights of both a CGI and practical-effects sort. What it instilled in them was a sense of self-worth, as well as indignation at the lesser-than treatment they received from society. It’s a muted and moving snapshot of men searching for a second wind in reckless fashion, and as Martin, Mikkelsen delivers one of the finest performances of his career, veering between numbness, regret, doubt and—in that astounding climax—liberating release. Guided by a loose, jazzy, improvisatory spirit, Ferrara’s quasi-autobiographical drama charts its protagonist as he works on a new project, teaches acting classes, attends AA meetings, and spars with his 29-year-old bride Nikki (Cristina Chiriac), whose father issues are at the root of her marriage to a much older man, just as Tommaso’s desire to remain a vital presence in daughter Deedee’s (Anna Ferrara) life stems from his own prior parental failures with his adopted children. Every Holiday Movie on Netflix You Need to Watch to Close Out 2020. Anxiety about mortality turns out to be more pronounced than ever, particularly via Coogan’s Ingmar Bergman-esque dream sequence, which is related to dismay over his father’s failing health. Its studied imagery suggesting a daintier variation on Wes Anderson’s trademark visuals, Emma boasts an aesthetic confidence that’s matched by its performers. Forced to flee their native land by inter-tribal warfare, and then compelled to assimilate in a foreign environment where locals glare at them with suspicion and revulsion, the couple prove figuratively homeless no matter which way they turn. There’s no filmmaker working today more adept at generating scares via the sudden appearance of shadowy background figures, or at prolonging sequences to their nerve-wracking breaking point. The vivid footage that comprises the entirety of Nelson’s non-fiction portrait is downright stunning, be it of soldiers crouched behind sandy dunes upon arriving at Iwo Jima, or aerial dogfights that are depicted via the POV of fighter planes’ gun turrets. Throw in nods to Apocalypse Now, The Bridge on the River Kwai and The Treasure of the Sierra Madre, and you have an epic that’s bursting at the seams, occasionally to its overstuffed detriment. In spite of, well, everything else that happened in 2020, this year saw an exciting slate of new movies (and some more that saw their release dates get pushed to 2021—more on that in a minute). Awards Leaderboard: Top Movies of 2020 – Rotten Tomatoes, Best Disney Plus Shows and Original Movies (January 2021), Best Hulu Shows to Binge-Watch Now (January 2021), 100 Best Movies on Amazon Prime (January 2021), Oral History of Cobra Kai Season 3 with William Zabka, Ralph Macchio, and the Cast, The Best Shows on Amazon Prime to Watch Right Now (January 2021). The new normal continues to refine itself, as seen among 2020’s final Certified Fresh releases: Steve McQueen’s series of Small Axe films on Amazon, and prestige Pixar pic Soul going straight into homes. As Steve soon learns, synchronic has the capacity to spirit users to bygone eras, which instigates a quest that speaks directly to larger issues of mortality, loss, grief, and the push-pull between dreams and reality. That Garbus doesn’t let Mari off the hook for her own mistakes, while nonetheless casting a reproachful gaze at the individual and systemic failings that allow such crimes to occur – and go unsolved – only strengthens her cinematic case for compassion and togetherness as the bulwark against tragedy. Share Share Tweet Email. That domicile is in a constant state of transmutation, as is Maria and the two pigs she finds inside, which she transforms into her de facto children. Best new Irish movies to watch over the holidays in 2020 There have been some absolute gems in Irish cinemas this year. James LeBrecht and Nicole Newnham’s documentary is the story of that quietly revolutionary locale, where disrespected and marginalized handicapped kids were finally given an opportunity to simply be themselves, free from the judgement of those not like them. Nonetheless, the alternately combative and chummy English pair remain in fine, funny form, and their swan song proves to be their most substantive collaboration since their maiden outing. In the hope of rekindling old relationships, acclaimed author Alice Hughes (Meryl Streep) invites her college friends Roberta (Candice Bergen) and Susan (Dianne Wiest) on a Queen Mary 2 cruise to England to receive a literary prize. Ammonite takes a few dramatic liberties in painting a picture of the affair between real-life self-taught paleontologist Mary Anning (Kate Winslet) and younger married Charlotte Murchison (Saoirse Ronan). Copyright © 2018 Fandango. Courtesy of a phenomenal Cohen and Bakalova, Borat and Tutar’s sour-to-sweet relationship provides a sturdy backbone for a series of politicized hidden-camera gags in which the foreigners’ unacceptable behavior coaxes real people to expose themselves as bigots and sexists. There’s gnarly, unnerving texture to everything in this unhinged film, which fragments and reforms like a nightmare born from the darkest recesses of the mind. There, the husband and wife are preyed upon by a creepy trio—bowler hat-wearing dandy Mog (Peter Belli), unkempt Cherry (Brandy Litmanen) and giant Sampo (Morad Baloo Khatchadorian)—in an endless Groundhog Day-style time loop that always concludes with their deaths. And because awards seasons must not be denied, buzz of Nomadland, One Night in Miami, and Ma Rainey’s Black Bottom continues into 2021. This means that these movies have been appreciated by both, so you can trust that they’re awesome. Splitting his documentary into chapters based on Chatwin’s books, and guiding his action with typically lofty narration, Herzog embarks on the sort of “erratic quest” for answers to existence’s biggest questions that were favored by Chatwin. Less an attempt at a cohesive life story than an act of experimental expressionistic portraiture, it’s an audacious drama that energizes the staid biopic genre. Home is where the Devil is in The Dark and the Wicked, as siblings Louise (Marin Ireland) and Michael (Michael Abbot Jr.) discover upon returning to their parents’ rural farm to tend to their ailing bed-ridden father (Michael Zagst) and distraught mother (Julie Oliver-Touchstone). The normal order is quickly turned on its axis—quite literally, in one unforgettable shot—as alien forces infest, infect and annihilate. It’s a headfirst dive into delusion, told with free-flowing suspense and absurd comedy, all of which comes to the fore during a late scene in which Capone opens fire on his friends and family with a giant golden tommy gun while wearing a diaper and chomping on a cigar-like carrot. For … Charlie Kaufman once again descends into a surrealistic pit of death and despair with his adaptation of Iain Reid’s 2016 novel, which charts a road trip by Jake (Jesse Plemons) and his girlfriend (Jessie Buckley) to his parents’ rural farmhouse home. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. Movies achieve Certified Fresh status by maintaining a Tomatometer score of at least 75% after a minimum number of reviews, with that number depending on how the movie was released. The film’s gimmick is that said drinking establishment is actually located in New Orleans, and its patrons have been cast to play improvised versions of themselves—a formal approach that allows the directors to faithfully capture the entire spectrum of sloppy, joyful, self-pitying, antagonistic and regretful emotions that invariably materialize in (and define) such a joint. Home Top Box Office ... 11 TV Shows You Should Binge-Watch This January. Using cheery smiles and go-getter glares to conceal profound depths of resentment, ambition and greed, Hugh Jackman gives the performance of his career as Roslyn, Long Island public school superintendent Dr. Frank Tassone in Bad Education. A dramatic account of the historic embezzlement scandal that engulfed Tassone and his colleagues – most notably, assistant superintendent Pam Gluckin (Allison Janney) – Cory Finley’s film (based on Robert Kolker’s New York Magazine article) is a ruthlessly efficient and even-keeled affair about the intense pressures of suburban academia, where educational-ranking achievements and college acceptance rates are intimately intertwined with real-estate prices. Here are some of the best movies Netflix has to offer. Guided by narration from JP Morgan’s daughter Anne (Eve Hewson), Tesla’s tale is recounted as a fragmentary collage full of scenes set to painted backdrops and peppered with anachronistic touches (a vacuum cleaner here, an iPhone there) that speak to the lasting legacy of his revolutionary toil. Humor is such a subjective thing. Every product was carefully curated by an Esquire editor. Grief is a monster that you can neither fight nor flee in Swedish director Johannes Nyholm’s Koko-di Koko-da, a surreal nightmare about a married couple (Leif Edlund and Yiva Gallon) that, in the aftermath of their daughter’s unexpected demise, goes on a camping trip in the woods. Watch Now. Courtesy of Ma’s demanding diva imperiousness and Levee’s cock-of-the-walk arrogance, the session becomes a powder keg whose fuses are related to African-American oppression, ambition and music-industry exploitation. With modern economic and social dynamics as its narrative backdrop, Zhao’s film locates beauty, fear, danger and quiet euphoria in Fern’s wandering search for contentment, which proves that being alone and being lonely aren’t always the same thing. See also: 14 Great Hong Kong Movies to Add to Your Netflix Watch List This was, in many respects, a year to forget—but not so when it came to film. Though you won’t hear Harvey Weinstein’s name uttered once, his presence is palpable throughout this clinical story about Jane (a sterling Julia Garner), whose position as the low woman on the totem pole at a film production company necessitates enduring mistreatment of both a subtle and overt sort. These are the best movies of 2020. Part Cowardly Lion, part Bugs Bunny, and altogether ferocious even as his sanity frays, Hardy’s Capone is yet another triumph for the star, who ultimately captures his protagonist less through imposing physicality than via his dark, glassy, lost eyes. In vistas of the ancient and immovable Cordillera, close-ups of cracks lining the hardscrabble soil, and gazes into labyrinth-like patterns found on junkyard car doors, Guzmán (who also serves as narrator) evokes a poetic sense of imposing mysteries and unrepairable fissures, which spread through him – and economically unbalanced Chilean culture – like the solemn valleys that course between the Andes’ peaks. We provide 2020 movie release dates, cast, posters, trailers and ratings. Stream these top-rated films on Netflix, Hulu, and Amazon Video. By Hanna Flint. Although most were viewed on inadequately small screens, the legion of fiction and non-fiction releases that helped us cope with our pandemic-wracked reality delivered welcome doses of excitement, drama, terror, and humor. Since said predator isn’t visible to the human eye, however, that’s not an easy task. As hardships mount, Loach incisively details the major and minor ways in which this contractor-oriented paradigm is fundamentally rigged against workers. Facebook. In the ensuing weeks, 37 more burn victims perished due to bacterial infections at local hospitals, which journalist Catalin Tolontan and his colleagues soon link to a widespread scandal involving diluted disinfectants, gangster hospital managers, and amoral bribery and profiteering that incoming health minster Vlad Voiculescu is tasked with cleaning up. A bright and playful kid, Neulinger soon morphed into a person his parents didn’t recognize – a change, they soon learned, that was brought about by the constant sexual abuse he (and his younger sister Bekah) was suffering at the hands of his cousin and two uncles, one of whom was a famed New York City temple cantor. In his final screen performance, Boseman matches his co-headliner’s intensity, his Levee so full of vibrant, self-destructive fury, desire and life that it’s a tragedy the performance stands as the late actor’s swan song. Cruel blackmail soon proves to be Masha’s means of coping with loss, but healing is in short supply in this ravaged milieu. Overpoweringly desolate and moving, it’s a vision of paralyzing individual, and national, PTSD – and, ultimately, of women banding together to forge a new future. What a year 2019 has been for movies. The 50 best TV shows on Netflix. When Will Ferrell and David Dobkin wrote and directed, respectively, a peculiar ‘70s-set musical comedy for Netflix’s 2020 docket, you can bet we put it on our list of must-watch fare. Fourteen years after becoming a household name, Sacha Baron Cohen’s Khazakstani reporter Borat Sagdiyev returns to mock racist, misogynistic, anti-Semitic Americans in Borat Subsequent Moviefilm, the rare comedy sequel to equal the side-splitting hilarity of its predecessor. Everything is connected in this economical and thrilling sci-fi saga, as the writer/directors – aided by understated performances from their Hollywood leads – deliver a unique vision of intertwined fates, the links between the past and the future, and the importance of cherishing the present moment. Oz Perkins is a horror lyricist fixated on grief and female agency, and both factor heavily into his atmospheric reimagining of the classic fairy tale. And finally, it’s 20 reviews for movies premiering on television. Greyhound and On the Rocks shored up on Apple TV+. Warm up with the final chapter of "Chilling Adventures of Sabrina." 3. Well, we've got good news: there were a whole heck of a lot of them. TV Shows. Borat Subsequent Moviefilm, Blow the Man Down and The Vast of Night beamed onto Amazon Prime. From YA book adaptations to new original favorites, these are the best teen movies to watch in 2020. While we can’t celebrate them all, this year-long rundown has certainly tried to do justice to the finest that filmmakers had to offer. All rights reserved. Stylistically indebted to both the Westerns of Sergio Leone and the thrillers of John Carpenter, and yet imbued with an out-there spirit all its own, Filho and Dornelles’ film takes a gonzo scalpel to geopolitical dynamics. Ryan’s powerhouse performance as the fiercely determined Mari is the nucleus of this dispiritingly bleak tale, in which there are few concrete answers to be found, but plenty of blame to pass around. Aaron Moorhead and Justin Benson are genre filmmakers adept at crafting time-travel stories that double as subtle inquiries into the human condition, and their latest, Synchronic, is their most straightforward and high-profile venture to date. Attuned to the rhythms of the road and the alternately harsh and inviting (and awe-inspiring) terrain of the Midwest, and populated by a host of excellent non-professional actors, Zhao’s film is a a poetic Malickian ode to the pioneering nature of the restless American spirit. A gentle film that radiates overpowering compassion for its characters and their plights, writer/director Lee Isaac Chung’s Minari charts the 1980s endeavor by Korean husband/father Jacob Yi (Steven Yeun) to make something of himself by starting a farm in rural Arkansas – an American dream that worries his wife Monica (Han Ye-Ri), and poses challenges for his daughter Anne (Noel Kate Cho) and son David (Alan Kim), the latter of whom suffers from a potentially fatal heart condition. Weathering With You is the latest anime adventure from Makoto Shinkai, the acclaimed director of Your Name. Davis has rarely been better as the take-no-shit Ma, staring down anyone who might question her authority – including her manager (Jeremy Shamos) and the studio’s owner (Jonny Coyne) – with a glare that would fell an angel. How to watch MMFF 2020 movies. Writer/director Josh Trank’s film is a subjective affair told largely from Capone’s POV, so that nothing can be trusted and yet everything speaks, symbolically, to the man’s deep-seated ambitions, fears and misgivings. Directors Jesse Moss and Amanda McBaine’s documentary follows a number of kids as they make their way through Texas’ week-long Boys State program (sponsored by the American Legion), in which hundreds of teenagers are split into two political parties (Federalists and Nationalists) and asked to create a unified platform and elect officials. Across all release types, each movie needs at least five of its reviews to be written by Top Critics. By Nika Roque. Some Animated movies made decades ago are still among the best-animated movies for viewers and such have made it to our 2020 list of the all-time best. NYE Hairstyles That'll Give 2020 the Middle Finger. Worse, they’re plagued by specters that live in the walls of their ramshackle new government-issued abode, promising to return the daughter they lost during their treacherous overseas journey if only they’ll make a sacrifice in blood. Taking the form of a black-and-white film from the 1940s, Fincher’s inside-baseball character study scrutinizes the marriage of movies and politics, and the push-pull between self-destruction and creativity, through the lens of Mank (Gary Oldman), whose story flip-flops between his time in a ranch house writing Orson Welles’ (Tom Burke) masterpiece and his prior relationships with William Randolph Hearst (Charles Dance) – the inspiration for Kane – and the mogul’s mistress, actress Marion Davies (Amanda Seyfried). The tension between them, however, is only one facet of this semi-improvised drama, which also features a clandestine accord struck by Alice’s beloved nephew Tyler (Lucas Hedges) and her new agent Karen (Gemma Chan), both of whom are on the ship, the latter covertly. Your guide to the best critically acclaimed comedies, romance movies and sci-fi adventure films streaming right … The mythic quality of the Cordillera – the towering eastern stretch of the Andes mountains that serves as both a protective and isolating barrier for the city of Santiago – is harmonized with the grand, destructive illusions of Chile’s Pinochet regime in The Cordillera of Dreams, documentarian Patricio Guzmán’s personal rumination on his homeland’s tumultuous history, and his relationship to it. It's easy to be ridiculous, or worse—boring. By now you've probably watched — or at least heard of — Parasite, the Korean film that recently made history with its four-time win at the 2020 Academy Awards (including a win for Best Picture Hewing closely to its source material, the film charts Emma Woodhouse’s efforts to find a suitor for her doting companion Harriet Smith (Mia Goth) while struggling with her own blossoming feelings for her sister’s brother-in-law, George Knightley (Johnny Flynn). Ordered to restore his homeland’s reputation (which he ruined with the first film) by gifting a famed monkey to Vice President Mike Pence, Borat winds up accompanied by his stowaway 15-year-old daughter Tutar (Maria Bakalova) on another cross-country odyssey that entails making pit-stops at stores, debutante balls and white nationalist rallies (where he leads sing-alongs that reveal the hatred of those in attendance). The Best Movies and TV Shows to Watch on Netflix in December 2020 By Tim Surette @timsurette Dec 11, 2020 8:18 PM EST George Clooney and Caoilinn Springall, The Midnight Sky Hot-button issues emerge naturally out of this basic premise, thereby letting Whannell sidestep overt preaching in favor of orchestrating a series of finely tuned set pieces in which lethal danger might materialize at any moment, from any direction. These are the phenomenal films that helped us overcome a challenging year. Shot in alternately tremulous and composed handheld, director Balagov’s long takes place a premium on close-ups, the better to convey the dizzying anguish of his subjects, who are as decimated as their environment. WATCH NOW. Less a definitive answer to the question “Who deserves credit for Citizen Kane?” than a fictional drama about Herman J. Mankiewicz’s struggle to complete his most famous screenplay in a Hollywood torn between art and commerce, David Fincher’s Mank is a poison pen letter to the golden-age era that it channels with every one of its gorgeous chiaroscuro images, Bernard Herrmann -esque soundtrack notes, and artificial reel-change cigarette burns. In the fictional northeast Brazilian town of Bacurau, residents are puzzled to discover that their home has disappeared from all GPS maps, and their cell service has ceased. Dick Johnson is Dead is a daring masterpiece about the loss of loved ones, and of memory, and the movies’ ability—and, also, inability—to make the impermanent permanent. No matter its conventionality, however, Parkes’ heartfelt performance as Crichlow, a man who wanted to realize a dream and came to understand that he’d created a vital hub for his community, is so enraged and aggrieved that, alongside Letitia Wright’s turn as Altheia Jones, it invigorates this legal affair. His aesthetics as probing as his writing is dexterous, Kaufman overstuffs his material with literary and cinematic shout-outs (and critiques), all while blurring the line between reality and fantasy until such distinctions cease to matter. Yet as evidenced by the numerous gems that arrived over the course of the past twelve months, cinema remains as vital as ever. Epitomized by Jane’s meeting with a cruelly calculating human resources rep (Succession’s Matthew Macfadyen), whose threats are all the more harrowing for being both implied and logical, it’s a portrait of sexism’s many insidious forms. Twitter. Acting doesn’t come much bolder and more blistering than in Ma Rainey’s Black Bottom, George C. Wolfe’s adaptation of August Wilson’s 1982 play about a 1927 Chicago recording session by real-life blues legend Ma Rainey (Viola Davis) and her backing band, comprised of trombonist Cutler (Colman Domingo), bassist Slow Drag (Michael Potts), pianist Toledo (Glynn Turner) and trumpeter Levee (Chadwick Boseman). We’ve said they are interesting and funny, animated cartoons … Yakin’s sinuous, passionate indie is as entrancing as it is daring. List of the latest lgbt / gay movies in 2021 and the best lgbt / gay movies of 2020 & the 2010's. In a 1945 Leningrad still recovering from the end of WWII, lanky Iya (Viktoria Miroshnichenko), aka “Beanpole,” works as a nurse even though her military service has left her with a condition in which she becomes temporarily frozen. Sneaking swigs of booze, of course, has a predictable downside, and Vinterberg’s film (co-written by Tobias Lindholm) charts his protagonists’ revitalizing high and inevitable crash with compassionate attention to the malaise of middle age and the temporary bliss that comes from getting good and blitzed. To do this, we only recommend movies that have received a high rating from viewers combined with a high score from critics. Intermingling copious footage of Camp Jened and the movement it produced with heartfelt interviews with some of its tale’s prime players, Crip Camp is a moving example of people fighting tooth-and-nail for the equality and respect they deserve – and, in the process, transforming the world. Utilizing a variety of disguises to mask his (fictional) identity – because everyone, by now, recognizes him on-sight – Borat reaffirms his status as cinema’s clown prince of pranksterism, culminating with a Rudy Giuliani interview that has to be seen to be believed. Lee holds nothing back in recounting this sprawling tale, employing different aspect ratios and film stocks, plentiful Marvin Gaye tunes, flashbacks, shout-outs to Black Lives Matter, denunciations of President Trump, and references to notable (but largely forgotten) African-American trailblazers. Menu. By Michael Kennedy Nov 05, 2020. Beginning with those infants’ births, the film—from a startlingly close proximity that exudes tenderness and empathy—captures animal life in all its drudgery and beauty, full of struggle, nurturing, conflict, exploration and abandonment. Amazon prime. At the center of his tale is Maxim Lapunov, whose release from a Chechnyan torture chamber—and resultant knowledge of the government’s monstrous activities—turns him into the state’s Enemy Number One. Incendies, 2011. Faced with this unexpected and debilitating turn of events, Ahmed’s Ruben is forced by his bandmate/partner Lou (Olivia Cooke) to leave their tour and park his Airstream trailer at a home for the deaf run by generous but stern Joe (Paul Raci). With everyone locked inside, now is an ideal time to catch up on the best movies of 2020. There’s volatility in its every unreal frame, as well as in the performance of Riseborough as a ruthless invader in search of autonomy. Kiyoshi Kurosawa conjures an atmosphere of humorous dislocation and acute fear with To the Ends of the Earth, the story of a travel TV show host named Yoko (Atsuko Maeda) who’s on assignment with her all-male crew in Uzbekistan. The 59 Most Romantic Movies of All Time; The 9 Best Movies of 2020—So Far; 17 Rom-Coms Worth Watching Not Just on an Airplane; All the New Movies You Can Stream Early; The 11 … From vast sights of the snow-capped Andes, to grainy on-the-street video footage of Pinochet tyranny, to introspective interviews with fellow artists, Guzmán’s film (the third entry in a trilogy that also includes Nostalgia for the Light and The Pearl Button) examines the catastrophic upheaval of 1973’s coup d’état, and the lingering scars it left on him and the country’s citizens. Netflix Thanksgiving Movies 2020: What to Watch. 2020 saw the introduction of the Top 10 charts, which finally allowed us to rank which movies were the most popular on the streaming platform. Those jaw-dropping sights alone make Nelson’s latest a must-see. Refine See titles to watch instantly, titles you haven't rated, etc Adapting his own stage play with puzzle-box formal rigorousness, Zeller situates his action in Anthony’s flat, where he’s visited by a collection of individuals whose identities – and circumstances – seem to change on a whim, be it his daughter Anne (Olivia Colman), a woman who might also be Anne (Olivia Williams), two men who are apparently Anne’s husband (Mark Gatiss and Rufus Sewell), and a new nursing aid (Imogen Poots) who closely resembles Anthony’s younger (and possibly dead?)

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